[Lutecium-group] RE : 15 -20 juin 2008 -Tours - International James Joyce Symposium

[Natalia Milopolsky-Costiou]

Bonjour Jean-Paul,
   
  Pouvez-vous me renseigner sur les conditions d'accès - je n'arrive pas les obtenir sur le lien :-(
  Merci

Jean-Paul Kornobis <jpkornobis at nordnet.fr> a écrit :
  lutecium-group: Ceci est un document du Groupe de Travail Lutecium.
---

Re-Nascent Joyce XXIst International James Joyce Symposium Université François-Rabelais, Tours, France June 15–20, 2008 


Renseignements
http://www.vinci-conventions.fr/agenda_d.php?id=492
The registration desk will be open:
12-6, Sunday, June 15
9-5, Monday-Thursday, June 16-19
9-12, Friday, June 20
Program as of May 7, 2008 



Rooms: a = Auditorium Descartes b = Salle Rabelais c = Salle Dujardin d = Salle Proust e = Salle Balzac 

ACADEMIC PROGRAM 

Sunday June 15 2.00–2.30) 

15.1.a) Auditorium Descartes 




Introductions 

Claudine Raynaud (host committee, Université François-Rabelais, Tours, France) Margot Norris (outgoing President, International James Joyce Foundation) 




2.30–4.00) 

15.2.a) Auditorium Descartes
Autour de la nouvelle traduction de Ulysses : table ronde
Chair: Jacques Aubert (Université de Lyon II, France)
Tiphaine Samoyault (Université Paris VIII, France)
Pascal Bataillard (Université de Lyon II, France)
Bernard Hoeppfner (Independent translator, France)



4.00–4.30) Coffee 




4.30–6.00) 

15.3.a) Auditorium Descartes 

Joyce avec Lacan 

Chair: Jacques Aubert (Université de Lyon II, France) 

Geneviève Morel (France): “Les prolongements du symptôme : John père de James père de Lucia” 

Franz Kaltenbeck (France): “Cauchemar, lettre, humour” 

Annie Tardits (France): “1921–1933 : Premières rencontres de Lacan avec Joyce” 




6.00–8.00) Welcome Reception; Da Vinci Centre 

Monsieur le Président de l’Université François-Rabelais de Tours Monsieur Heinz Raschel, Doyen de l’UFR Lettres et Langues Anne Fogarty (incoming President, International James Joyce Foundation) 

Monday June 16 9.00–9.30) Coffee 




9.30–11.00) 

16.1.a) Auditorium Descartes 

The Sounds of Joyce * 

Chair: Vincent J. Cheng (University of Utah, USA) 

Margot Norris (University of California, Irvine, USA): “The Music of Joyce’s Vernacular Voices” 

Maud Ellmann (University of Notre Dame, USA): “Joyce’s Noises” 

Vincent J. Cheng (University of Utah, USA): “‘The Twining Stresses, Two by Two’: The Prosody of Joyce’s Prose” 

16.1.b) Salle Rabelais 

Roundtable on Joyce, Irish Modernism, and Primitivism * 

Chair: Claire Culleton (Kent State University, USA) 

Greg Winston (Husson College, USA): “‘Reluctant Indians’: Joyce, Irish Identity, and Racial Masquerade” 

Maria McGarrity (Long Island University, USA): “‘He’s an Irishman’: Roger Casement and the Citizen in ‘Cyclops’” 

M. Teresa Caneda Cabrera (University of Vigo, Spain): “Translating Irishness: A Portrait of James Joyce as a Modern Celt” John McCourt (University of Rome III, Italy): “Queering the Revivalist’s Pitch: Joyce’s 

Early Anti-Primitivism” Claire Culleton (Kent State University, USA): “Joyce, the GAA, and Primitivism” 

16.1.c) Salle Dujardin 




Exiles and Aesthetics † 

Chair: Anthony Uhlmann (University of Western Sydney, Australia) 

Nick De Marco (Università G. d’Annunzio, Italy): “Exiles: A Portrait of the Creator as a Botched Artist” 

Damon Franke (University of Southern Mississippi, USA): “Rowan’s Quaternion” 

Anthony Uhlmann (University of Western Sydney, Australia): “Joyce’s Aesthetic of Relationships in Exiles and Ulysses” 

16.1.d) Salle Proust 

Desire and Knowledge between Shakespeare and Joyce 

Chair: Richard Brown (University of Leeds, UK) 

Jessica Lucero (University of Nevada, Las Vegas, USA): “‘Like a sigh of O!’: Agape in Shakespeare and Joyce.” 

Ljiljana Ina Gjurgjan (University of Zagreb, Croatia): “Hamlet’s Stephen: The Lost Way of Desire” 

Maria-Daniella Dick (University of Glasgow, UK): “Marked you that?” 

Richard Brown (University of Leeds, UK): “‘Shakespeare he’s in the alley’: Modernising Shakespeare in ‘Scylla’” 

16.1.e) Salle Balzac 

Joyce and the 19th Century French Novel: 1 

Chair: Finn Fordham (Royal Holloway, University of London, UK) 

Patricia Novillo-Corvalán (Birkbeck College, University of London, UK): “Female Quixotes: From Flaubert’s Madame Bovary to Joyce’s ‘Nausicaa’ and Puig’s The Buenos Aires Affair” 

Scarlett Baron (Christ Church, Oxford, UK): “‘Flaub. treatment of language as a kind of despair. J.J contrary’: Flaubert, Joyce, and Intertextuality” 

Jed Deppman (Oberlin College, USA): “Bildungsroaming with Joyce, France, and the Irish Renaissance” 

Paul Jones (University of York, UK): “George Moore, the French Tradition, and the Style of Dubliners” 

11.00–11.30) Coffee 




11.30–1.00) 

16.2.a) Auditorium Descartes 

Ulysses/Ulysse : traduction et retraduction / Translating and Retranslating: Ulysses/Ulysse * 

Chair: Régis Salado (Université Paris VII, France) 

Robert Byrnes (University of Winnipeg, Manitoba, Canada): “Joyce’s Dictionnaire des Idiotismes Reçus: Comparing the 2004 and 1929 French Versions of ‘Eumaeus’” 

Liliane Rodriguez (University of Winnipeg, Manitoba, Canada): “James Joyce’s Hand in the First French Translation of Ulysses” 

Bernard Hoepffner (Independent translator, France): “Lisser Ulysse?” 

Régis Salado (Université Paris VII, France): “1922–1929–2004 : la transmigration des noms de Ulysses à Ulysse” 

16.2.b) Salle Rabelais 

Joyce in Word and Image * † 

Chair: Colleen Jaurretche (Claremont McKenna College, USA) 

Rob Polhemus (Stanford University, USA): “The Tower of Babel and Great Art: Pieter Bruegel and James Joyce” 

Carol Shloss (Stanford University, USA): “Visualizing Finnegans Wake” 

Christa-Maria Lerm Hayes (University of Ulster, Northern Ireland): “Brian O’Doherty’s ‘In the Wake (of)______’” 

Colleen Jaurretche (Claremont McKenna College, USA): “Finnegans Wake and Visual Art” 

16.2.c) Salle Dujardin 




Narratological Approaches 

Chair: Monika Fludernik (University of Freiburg, Germany) 

Sonja Bašić (University of Zagreb, Croatia): “Narrative Modes as Chief Constructors and Co-Protagonists of the ‘Eumaeus’ Episode” 

Gregory O. Smith (The Ohio State University, USA): “‘Done. / Begin!’: A Rhetorical Approach to Re-Nascent Narrative in Ulysses” 

Wolfgang Wicht (University of Potsdam, Germany): “The Inconsistent and Heterogeneous Panorama of Narratives in Ulysses” 

John Pier (Université François-Rabelais, Tours, France): “From Focalization to Intermediality in the ‘Sirens’ Episode” 

16.2.d) Salle Proust 

Joyce and the Idea of the Nation: 1 

Chair: Enda Duffy (University of California, Santa Barbara, USA) 

John Nash (Durham University, UK): “Joyce, Yeats, and the Idea of the Nation” 

Spurgeon Thompson (Cyprus College, Cyprus): “From Joyce to Connolly: Violence and Anticolonial Socialism” 

Enda Duffy (University of California, Santa Barbara, USA) “Nervous Nation: Soma, Style, and Nervousness in Joyce’s Ireland” 

1.00–2.30) Lunch 




1.30–2.30) 

16.L.b) Salle Rabelais 

Lunchtime Ulysses Reading Group * 

Chairs: Michael Groden (University of Western Ontario, Canada) and Austin Briggs (Hamilton College, USA) 

“Wandering Rocks”: 10.800–80 (pp. 198–200) 

2.30–4.00) 

16.3.a) Auditorium Descartes 

The Many Turns of Joycean Scholarship * 

Chair: Michael Groden (University of Western Ontario, Canada)
Luca Crispi (University College, Dublin, Ireland): “Can We Take Him at his Word?”



William S. Brockman (Pennsylvania State University, USA): “The James Joyce Database” 

Terence Killeen (The James Joyce Centre, Ireland): “The Enchanted Hunters: The Origins of Ulysses” 

Michael Groden (University of Western Ontario, Canada): “Adventures with Ulysses: An Excerpt from a Memoir” 

16.3.b) Salle Rabelais 

“Sobs they sighdid at Fillagain’s chrissormiss wake” * 

Chair: Susan J. Adams (University of the South Pacific, Fiji) 

Heather Lusty (University of Nevada, Las Vegas, USA): “Joyce, Wake, and Bruno’s Art of Memory” 

Paul Fagan (University of Vienna, Austria): “‘An upstart crow, beautified with our feathers’: Hamlet and the Allusive Method in Finnegans Wake” 

Susan J. Adams (University of the South Pacific, Fiji): “An ‘In-Seine’ Cry: The Banshee and Anna Livia Plurabelle” 

16.3.c) Salle Dujardin 

Joyce and the Philosophers 

Chair: Franca Ruggieri (University of Rome III, Italy) 

Mia L. McIver (University of California, Irvine, USA): “Joyce with Spinoza: Legal Fiction and Double Truth” 

Tim Conley (Brock University, Canada): “‘Cog it out’: Joyce on the Brain” 

Bruce Stewart (University of Ulster, Northern Ireland): “Whatever Ever Happened to Baby Tuckoo?: Joyce in the Wake of Theory” 

Franca Ruggieri (University of Rome III, Italy): “‘The Utopia of Isolation and Reconcilement’: A Radical Principle of Artistic Economy” 

16.3.d) Salle Proust 

Joyce and Contemporary British Literature 

Chair: Robert D. Newman (University of Utah, USA) 

William Hutchings (University of Alabama at Birmingham, USA): “The Joycean Shakespeare(s) of Robert Nye” 

Elena Dotsenko (Urals State Pedagogical University, Yekaterinburg, Russia): “James Joyce and ‘Private Carr’ as Characters in Tom Stoppard’s Travesties” 

Robert D. Newman (University of Utah, USA): “The Persistence of Joyce in Recent Fiction: The Case of Ian McEwan’s Saturday” 




4.30–6.00) 

16.4.a) Auditorium Descartes 

Plenary Panel: Joyce and the Renaissance * 

Chair: François Laroque (Sorbonne Nouvelle-Paris III, France) 

Anne Fogarty (University College Dublin, Ireland): “Reinventing Hamlet?: ‘Scylla and Charybdis’ and the Politics of the Irish Literary Revival” 

Marie-Dominique Garnier (Université Paris VIII): “‘The phoenix, his pyre’ (FW: 265.08– 9): On Burning and Being Born, or Joyce and Shakes/pyre” 

François Laroque (Sorbonne Nouvelle-Paris III, France): “‘As Great Shapesphere puns it’ (FW: 295.04): The Name Game in Shakespeare and Joyce” 

Jonathan Pollock (Université de Perpignan, France): “Textual Atomism in Finnegans Wake” 




6.30–7.45) Cocktails; The Gardens of the Musée des Beaux Arts 

Monsieur Jean Germain, Maire de Tours 

8.00–9.30) Buffet dinner; Hôtel de Ville, Salle des Fêtes 

Meeting point: Da Vinci Centre at 6.15 




Tuesday June 17 9.00–9.30) Coffee 

9.30–11.00) 

17.1.a) Auditorium Descartes 

Joyce and the 19th Century French Novel: 2 * 

Chair: Finn Fordham (Royal Holloway, University of London, UK) 

CóilÃ&shy;n Owens (George Mason University, USA): “Out for the Count: Dumas’ Abbé Faria and Joyce’s Fr Flynn” 

Benoît Tadié (Université de Rennes II): “Balzacian Ghosts in the Boarding House?” 

Rita Sakr (University of Nottingham, UK): “‘That’s new… That’s copy’: ‘Slightly Rambunctious Females’ on the Top of ‘Some Column!’ in Zola’s L’Assommoir and Joyce’s Ulysses” 

Finn Fordham (Royal Holloway, University of London, UK): “Literary Waterloos: Stendhal, Hugo, Joyce” 

17.1.b) Salle Rabelais 

Joyce and the Renaissance: 2 * 

Chair: François Laroque (Sorbonne Nouvelle-Paris III, France) 

Jasmine Lellock (University of Maryland, USA): “‘As one incapable of her own distress’: Bloom and Ophelia in Ulysses” 

Patricia Novillo-Corvalán (Birkbeck College, University of London, UK): “The Ghost of Shakespeare in Borges and Joyce” 

Dieter Fuchs (University of Vienna, Austria): “‘Poor Penelope. Penelope Rich’: Sir Philip Sidney’s Astrophil and Stella as a Source for the Rewriting of the Odysseus-Archetype in James Joyce’s Ulysses” 

Laura Pelaschiar (Università degli Studi di Trieste, Italy): “Othello in Bloomusalem: Alterity and Adultery in Othello and Ulysses” 

17.1.c) Salle Dujardin
Re-Exagmining Our Exagmination: Roundtable
Chair: Tim Conley (Brock University, Canada)
Patrick McCarthy (University of Miami, USA)
Sam Slote (Trinity College, Dublin, Ireland)
Dirk Van Hulle (University of Antwerp, Belgium)



17.1.d) Salle Proust 

New Contexts for Ulysses 

Chair: Rasheed Tazudeen (University of California, Berkeley, USA) 

Joelle Zois (Independent scholar, USA): “The I/Eye of the Storm: The Sirens’ Song of Ulysses” 

Elizabeth McClurg (The Ohio State University, USA): “Following the Hat Crumbs in Ulysses” 

Gulshan Taneja (University of Delhi, India): “Joyce the Satirist” 

Rasheed Tazudeen (University of California, Berkeley, USA): “‘Blood always needed’: Animal Sacrifice and Animal Remembrance in ‘Lestrygonians’” 

11.00–11.30) Coffee 




11.30–1.00) 

17.2.a) Auditorium Descartes 

Dear Dirty Joyce * 

Chair: Mark Shechner (SUNY-Buffalo, USA) 

Christine van Boheeman-Saaf (University of Amsterdam, Holland): “Emetic Joyce: The Body in Joyce and Rabelais” 

Valérie Bénéjam (Université de Nantes, France): “Obscenity and the Female Body: The ‘Adulterated Chapter’ of Adultery in Ulysses” 

Mark Shechner (SUNY-Buffalo, USA): “Ejaculation: The Novel” 

Colleen Jaurretche (Claremont McKenna College, USA): respondent 

17.2.b) Salle Rabelais 

Joyce and Objects * 

Chair: John Nash (Durham University, UK) 

Marco Camerani (University of Bologna, Italy): “‘Circe’ and Cinematographically Animated Objects in the Age of Technical Reproducibility” 

Teresa Prudente (University of Turin, Italy): “‘The daily bread of experience’: The Transfiguration of Materiality in Joyce’s and Woolf’s Writing” 

Paul Devine (Independent scholar with an affiliation to Leiden University, Holland): “‘He knew the inner side of all affairs and was fond of delivering final judgments’: An Objective View of ‘Two Gallants’” 

John Nash (Durham University, UK): “‘Circumstantial Evidence’: Joyce and Objectness” 

17.2.c) Salle Dujardin 

Music Hath Charms to Soothe a Savage Joycean † 

Chair: Timothy Martin (Rutgers University, USA) 

Judith Harrington (Independent scholar, San Francisco, USA): “All Aboard for The Rose of Castile!” 

Sonia Buttinelli (University of Rome III, Italy): “The Idea of Drama: From Wagner to Joyce” 

Michelle Witen (St John’s College, Oxford, UK): “Repetition as Rebirth: The Silence of Music in ‘Sirens’ as Return in ‘Circe’” 

Timothy Martin (Rutgers University, USA): “Opera, Ulysses, the Greeks” 

17.2.d) Salle Proust 

Joyce and Proust † 

Chair: Barry McCrea (Yale University, USA) 

Philippe Chardin (Université François-Rabelais, Tours, France): “Processes of Rebirth from Short Story to Novel: The Relationship between Dubliners and A Portrait of the Artist as a Young Man Compared with the Relationship between Les Plaisirs et les jours and À la recherche du temps perdu” 

Sherry Burgus Little (San Diego State University, USA): “Joyce and Proust: Two Modern Literary Giants” 

Christine Froula (Northwestern University, USA): “Scribbling into Eternity: Paris, Proust, ‘Proteus’” 

Erik S. Roraback (Charles University, Prague, Czech Republic): “An Unconscious and Ultra-Modern Philosophical Baroque; or, Joyce’s Finnegans Wake (1939), Proust’s À la recherche du temps perdu (1922), and the Energies of Cosmic Systems of Bataille’s Atheology and General Economy” 

1.00–2.30) Lunch 




1.30–2.30) 

17.L.b) Salle Rabelais 

Lunchtime Ulysses Reading Group * 

Chairs: Michael Groden (University of Western Ontario, Canada) and Austin Briggs (Hamilton College, USA) 

“Sirens”: 11.650–760 (pp. 224–27) 

2.30–4.00) 

17.3.a) Auditorium Descartes 

Collaborators and Anticollaborators: New Genetic Readings in Joyce * 

Chair: Luca Crispi (University College Dublin, Ireland) 

Ronan Crowley (Trinity College, Dublin, Ireland; SUNY-Buffalo, USA): “‘I’ve put Raymonde into Ulysses’: The Scribal Copy of ‘Circe’” 

Christopher Whalen (Hertford College, Oxford, UK): “‘Piously Forged Palimpsests’: The Re-Nascent Quality of Hans Walter Gabler’s Synoptic Text of Ulysses” 

Sarah Davison (University of Nottingham, UK): “Parodies of English Prose in ‘Oxen of the Sun’: A Genetic Excavation” 

17.3.b) Salle Rabelais 

Joyce and Materiality * 

Chair: Maurizia Boscagli (University of California, Santa Barbara, USA) 

Thomas Rice (University of South Carolina, USA): “‘Heliotropical noughttime’: In Schenectady” 

Enda Duffy (University of California, Santa Barbara, USA): “SOMA-Joyce: His Biopolitical Materials” 

Sebastian Knowles (The Ohio State University, USA): “Joyce and Philately” 

Maurizia Boscagli (University of California, Santa Barbara, USA): “Economies of Waste: Bataille, Joyce” 

17.3.c) Salle Dujardin 

Joycean Influences † 

Chair: Maria Domenica Mangialavori (University of Rome III) 

Susan J. Adams (University of the South Pacific, Fiji): “Joyce in Translation— Vietnamese: and A New Play: ‘Jimmy Jo and Uncle Ho’ The Debut Reading” 

Iris Bruderer-Oswald (University of Basel, Switzerland): “Carola Giedion-Welcker: Friend, Critic, Art Historian” 

Frank Haran (The Norwegian School of Management, Oslo, Norway): “East Meets West: Orhan Pamuk’s The Black Book and James Joyce’s Ulysses” 

Maria Domenica Mangialavori (University of Rome III): “Ulysses’s Journey in Joyce, Dallapiccola and Berio” 




17.3.d) Salle Proust “Pornosophical Philotheology”: Textuality, Sexuality, and Patrimony in Ulysses 

Chair: Gregory Erickson (Mannes College, USA) 

Erin Templeton (Converse College, USA): “‘The Virgin Womb(s) of the Imagination’: Joyce and the Erotics of Authorship” 

Janine Utell (Widener University, USA): “Scripting the Erotic; Or, Everything You’ve Ever Wanted to Know about Sex You Could Have Learned from Paul de Kock and Martha Clifford” 

Gregory Erickson (Mannes College, USA): “Ruptures in Understanding: Juxtapositions of Heresy and Music in Ulysses” 

17.3.e) Salle Balzac 

Psychoanalytic Readings of Joyce 

Chair: Tatjana Jukić (University of Zagreb, Croatia) 

Ruben Borg (Hebrew University of Jerusalem, Israel): “Mirrored Disjunctions: Towards a Deleuzo-Joycean Theory of the Image” 

Erik Schneider (Joyce Museum, Trieste, Italy): “Svevo and Joyce: The Symptom Meets the Sinthome” 

Thomas Rendall (Peking University, China): “Joyce’s ‘The Dead’ and the Mid-Life Crisis” 

Tatjana Jukić (University of Zagreb, Croatia): “Gretta and the Spectral: Joyce, Huston, and the Logic of Unknownness” 

4.00–4.30) Coffee 




4.30–6.00) 

17.4.a) Auditorium Descartes 

Plenary Panel: “Where did thots come from?” (FW: 597): Joyce’s Library and Genetic Breakthroughs * 

Chair: Dirk Van Hulle (University of Antwerp, Belgium) 

Jed Deppman (Oberlin College, USA): “Gray, Meticulous, and Documentary: Lexicographical Strategies in the Finnegans Wake Notebooks” 

Scarlett Baron (Christ Church, Oxford, UK): “‘G.F. can rest having made me’: Flaubert’s Role in the Making of the Joycean Œuvre” 


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